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  <titleInfo>
    <title>La mirada en la escritura</title>
  </titleInfo>
  <name type="personal">
    <namePart>Walas, Guillermina</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">xx</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Madrid</placeTerm>
    </place>
    <dateIssued>1996</dateIssued>
    <dateIssued encoding="marc" point="start">9999</dateIssued>
    <dateIssued encoding="marc" point="end">9999</dateIssued>
    <issuance>continuing</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">und</languageTerm>
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  <language>
    <languageTerm authority="iso639-2b" type="code">Es</languageTerm>
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  <physicalDescription>
    <extent>CUADERNOS PARA INVESTIGACION DE LA LITERATURA HISPANICA, no. (21) pp.  159-170 </extent>
  </physicalDescription>
  <tableOfContents>Identidades femeninas en PERSONAS EN LA SALA, de NORAH LANGE; y, EL DIARIO DE PORFIRIA BERNAL, de SILVINA OCAMPO</tableOfContents>
  <note type="statement of responsibility">Guillermina Walas</note>
  <note>Incluye notas y bibliog.</note>
  <subject>
    <topic> GINOCRITICA ARGENTINA</topic>
  </subject>
  <subject>
    <topic> OCAMPO AGUIRRE, SILVINA INOCENCIA-CRITICA</topic>
  </subject>
  <subject>
    <topic>LANGE, NORAH-CRITICA</topic>
  </subject>
  <classification authority="ddc">HE 7510</classification>
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      <title>CUADERNOS PARA INVESTIGACION DE LA LITERATURA HISPANICA</title>
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    <part>
      <text> no. (21) pp.  159-170</text>
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